Amanda Todd Story Essay Example for Free

Amanda Todd Story Essay Ive decided to tell you about my never ending story. In 7th grade i would go with friends on web cam meet and talk to new people. then got called stunning,beautiful,perfect,etc. then wanted me to flash. so i did 1 year later. i got a message on facebook. from him don’t know how he knew me. it said.. if you don’t put on a show for me i will send your nudes. he knew my address,school,relatives,friends,family names, Christmas break knock at my door at 4am. it was the police. my photo was sent to everyone. i then got really sick and got anxiety, major depression and panic disorder. i then moved and got into drugs and alcohol. my anxiety got worse couldn’t go out. a year past and the guy came back with my new list of friends and school. but made a facebook page. my nudes were his profile pic. cried every night, lost all my friends and respect people had me for me again.. then nobody liked me. name calling, judged i can never get that photo back. its out there forever i started cutting i promised myself never again didn’t have any friends and i sat at lunch alone. so i moved schools again everything was better even thought i sat still alone. at lunch in the library everyday. after a month later i started talking to an old guy friend. we back and fourth texted and he started to say he liked me.. led me on.. he had a girlfriend.. then he said come over my girlfriend ,is on vacation. So i did.. huge mistake.. he hooked up with me i thought he liked me 1 week later i get a text get out of your school. his girlfriend and 15 others come including himself. the girl and 2 others just said look around nobody likes you. in front of my new school 50 people. a guy than yelled just punch her already. so she did.. she threw me to the ground and punched me several times. kids filmed it. i was all alone and left on the ground. i felt like a joke in this world.. i thought nobody deserves this. i was alone .. i lied and said it was my fault and my idea. i didn’t want him getting hurt, i thought he really liked me. but he just wanted the sex.. someone yelled punch her already. teachers ran over but i just went and layed in a ditch and my dad found me. i wanted to die so bad when he brought me home i drank bleach.. it killed me inside and i thought i was gonna actually die. Ambulance came and brought me to the hospital and flushed me. After i got home all i saw was on face book. She deserved it, did you wash the mud out of your hair? i hope shes dead. nobody cared.. i moved away to another city to my moms. Another school.. i didn’t  wanna press charges because i wanted to move on. 6 months has gone by people are posting pics of bleach, clorex and ditches. tagging me .. i was dang a lot better too they said.. she should try a different bleach. i hope she dies this time and isn’t so stupid. they said i hope she sees this and kills herself.. Why do i get this? i messed up but why follow me.. i left your guys city.. im constantly crying now..everyday i think why am i still here? My anxiety is horrible now.. never went out this summer. All from my pastlife’s never getting better.. cant go to school. Meet or be with people constantly cutting. Im really depressed. Im on anti depressants now. and counselling and a month ago this summer. i overdosed in hospital for 2 days..Im stuck.. whats left of me now.. nothing stops. i have nobody.. i need someone. my name is Amanda Todd. Summarize What kind of person would bully a kid online? What kind of person ridicules a child’s memory even after she took her own life. after 3 years of hell. began with a 12 year old and a web cam. Her name was Amanda Todd. After 3 years of hell, dealing with negative/rude comments telling her to kill herself, she decided it was time. Before she killed herself, she attempted to kill herself two other times, the one time she tryed to drink bleach thinking that it’ll kill her instantly, but it didnt, the other time she started cutting herself and overdosing on drugs. Then a month before she committed suicide she posted a youtube video of what she was going through. After reading most of the rude comments on the video, she thought that why am i still here in this world? Im not wanted. Im worthless, nobody wants me here. After reading all the rude comments she finally committed suicide after 3 long years of hell. On Wednesday October 10th 2012 Amanda Todd was found dead! She finally gave up on life and finally committed suicide.

Animal Farm - The End Justifed the Means :: Animal Farm Essays

END – Achieve freedom from humans and be able to look after themselves The means to get this was by Napoleon and Snowball taking charge and organizing the events in the other animals’ lives JUSTIFY – To whom was justification needed? - Other Animals - Pigs The animals believed that whatever the means, no matter how hard their lives would become, all would turn out for the best. Therefore, Squealer and Napoleon were able to justify this means to an end for them. Napoleon and Squealer were happy and felt that the means was justified because they were advantaged over the others. HOWEVER WAS IT JUSTIFIED? Most people would say ‘no, the end does not justify the means because the pigs were cruel’. However the means can be justified because the animals knew what the means would be, and the end that they had accepted the means for did not include cruel pigs. They felt that as long as the end was good for everyone, the means was justified. What the people mean when they say that ‘the end does not justify the means because the pigs are cruel’ is that they don’t like how the end that all the animals were looking forward to did not eventuate. This didn’t happen because there were in actual fact two ends, not one. Both the pigs and the other animals felt that the means had been justified, but unbeknown to the other animals, the pigs had a different goal. The means of giving Napoleon absolute power to let all animals have freedom and the ability to look after themselves was justified, however, unfortunately, due to the power which corrupted him, Napoleon never let this end get achieved. Napoleon changed the purpose for which this means was to be used. It is the pigs’ end of benefiting themselves only and dominating the other animals that does not justify the means. It is this end that people refer to when they do not agree with this statement, because this end is not a good end. Of course, the pigs thought that their end was good, but it wasn’t because they only wanted to advantage a minority and didn’t care about the other animals. It wasn’t enough for them that they succeeded in living comfortably, everyone else had to fail and struggle to live. The means

Interview Qaisra Shahraz

Aquaria Sahara visited many places in India and gave talks on her two books. Her trip was made possible by her Indian publishers Penguin. I chanced to read her work and I found It Interesting. Later my colleague and the co -editor of this book Professor A. R. Sidewalk suggested that we could Interest many people to contribute essays on the art and craft of Aquaria Sahara. The response simply overwhelmed us. In almost no time we received the consent of a great many colleagues in India and elsewhere in Pakistan, Saudi Arabia, Europe and the United States to write for this volume. Most of them have kept their word.We are indeed grateful to them for their interest. Out of so many post-colonial Indian and Pakistani writers writing In English, what, In your pollen. Is special about Salsa Sahara as a remarkable fiction writer? Of the postcolonial writers it is only Indian writers who hog all limelight. The Resides, the Gosh, the Despise. The fact is a lot of new and interesting writing is e merging from unlikely places. From Pakistan, from Bangladesh. And whatever be the mage of Pakistan in the media, Western and Indian, an interesting thing is that a lot of new writers are emerging from Pakistan.Most of this writing Is very political which Is not surprising since Pakistan faces problems which are essentially of political nature. However, there are some writers who focus attention on issues of a different nature. Aquaria Sahara is one such writer. She has charted a different territory. Issues of identity-rural, regional, gender -are her basic concerns. How has she contributed to the discourse on the gender Issue with specific reference o Pakistani society, especially in view of her being based in the UK/West?Most writers maintain their link with their country of origin. Pakistan never disappeared from Aquaria Ashram's imaginative space. As a woman who has lived her life In two countries her writing is only enriched by her experience. The diasporas Identity has Its own advantages. In her case It Is not lack of something but rather the an open eye. In her work she shows the limitations of both Western and non-western feminism. Does Aquaria Sahara typify the Feminist perspective? She goes farther than that. She redefines feminism for Pakistani society.Call it Islamic feminism, Muslim feminism or by whatever name she does not mindlessly indulge in Islam and Muslim bashing which is the motif in lots of ,what has been called, oppressed women's novels. Her target is rather the agrarian system, some oppressive customs in Kinds and the subversion of Islam to serve one's own interest. What is Aquaria Ashram's attitude to patriarchy which is rife in Pakistani Culture? She has a very critical view of some patriarchal institutions. Some of her characters are self-consciously feminist. Professor Night Sultana, for instance.Even Karri Banjo's supposedly meek capitulation to a patriarchal institution can be read as a criticism of patriarchy. In this instance she shows both the power and the evil nature of patriarchy. What are your comments on Aquaria Ashram's understanding and depiction of Pakistani village life and Islamic culture? For a person who has mostly lived in cities Aquaria Sahara shows remarkable understanding of rural life. The character of Kanji, Skull's and Amanita bib' and others are products of rural set-up. While reading her novels I was myself transported back in time and place.I was thinking of a woman in Titular,( my native place in Attar Pradesh) who passed invitations by word of mouth, fixed matches and spread gossip in her own inimitable ways. I was reminded of the institution of village match maker, a task which is now done on the net. The close- knit community, oppressive customs, force of gossip, the distrust of the corrupting ways of the city-?these are all beautifully captured by Sierra's narrative, especially in Typhoon. Sierra's language is very different from other Indo-Anglican writers like Rushed, Koran Ide as Iranian Ideas for instance.Could you elucidate? Of course it is different room what Rushed calls citified English. Others have Jokingly referred to the fortification of English. Aquaria has her own share of non English words because she is translating an entire culture. Words like Zeta and Kismet add a richness to English vocabulary. I especially liked the papacy style of Sahara in Typhoon. It is her choice of words and English structures which is responsible for the leisurely pace of the Holy Woman and the fast and furious pace of Typhoon – the contrast in the pace of the two books is so remarkable.How do you think this volume of Critical Essays on Aquaria Ashram's craft will intricate to literature and cultural studies? I must confess that the multiplicity of perspectives offered by the contributors has far exceeded my initial understanding of her work. The contributors have analyses her work from all critical angles possible-? pedagogical. The varied backgrounds of the contributors-?British, American, Arab, African, German, Indian and Pakistani-?add some more dimensions to the critical discourse on Sahara.What are some of the main conclusions of the critical scholarship on Aquaria Ashram's work. This is certainly not the final word on Aquaria Ashram's work. It is Just the beginning. Other critics, most certainly students of literature, can take this work forward and explore ideas treated by the contributors to this volume. Some critical opinion quotes on Aquaria Ashram's work. China Aquaria Sahara, a Pakistani-born English writer and scriptwriter, is such a wonderful story teller that readers can hardly put her stories down once they begin them.Reading her works is like starting a Journey with her unforgettable characters to Pakistan and gaining a deep insight into their lives, in particular the poignant lives of Pakistani women. Living in the I-J since she was 9 years old, but deeply rooted in her own Pakistani culture, she bridges the understand ing between the East and the West. More importantly, through her excellent novels The Holy Woman and Typhoon, she clarifies many Westerns' stereotypical misconceptions about the Islamic cultures. I hope that Ms.Ashram's fascinating works will soon be introduced into China so that they will reach an even wider readership and arouse the academic interest among Chinese academia, also in view of the fact that China also has a large population of Muslims. Tinting Going, Associate Professor of English, Southwest University of Science and Technology( Managing) and translator of Holy Woman and Typhoon, China Germany My reading of Aquaria Ashram's The Holy Woman and Typhoon offered me my first real insight into the lives of women in Pakistani villages and into the types of story which symbolism rural and urban society in that country.It was a revelation and I read both books back to back. The Holy Woman in particular has rightly attracted global attention through its non-partisan portrayal o f the ambivalent relationship teen Islamic culture and Western consciousness as seen through the eyes of a woman. It is a very significant book indeed and Aquaria Ashram's is a voice of mediation which should be more widely heard. Robert Scrimshaw, KulturwissenschaftlichesKolleg, University of Constant, Germany. India transmutable.The migrant imagination produces texts that cross geographic, national, ethnic, and even linguistic boundaries and make connections with the past and the present. Aquaria Sahara who describes herself as a British Muslim of Pakistani origin retains her sensitive understanding of Pakistani society and culture, ND in living away from it, benefits from the distancing perspective which enables her in her fiction to nuance characters, situations and events; negotiate with history and memory; Juxtapose and examine old traditions and new sensibilities.She weaves flavors of life and the sense of living into the texture of her writing. Each of her stories becomes a metaphor for complex exploration of identity formations and self- definitions. In her remarkable novels The Holy Woman and Typhoon and in her short stories, fictive imagination and historical inscription blend significantly to produce reared texts that invite deep engagement and innovative strategies of reading. Tune Musketeer, Professor of Comparative Literature, University of Hydrated, India.Indonesia As a citizen of a country with the biggest Muslim population in the world, I found Aquaria Ashram's works as an eye opener about the diversity of the world Muslims. And I think I am not alone in this opinion, since we witnessed how her two novels, The Holy Woman and Typhoon got a very good response from the Indonesian readers–that's why we plan to republish the two in a product line that we call Gold Edition (novels).I do think that the Indonesian readers got the same enlightenment, that even when we are united as Muslims, we might grow on a different soil of culture that very much influences our interpretation about Islam. And because of that, we need more and more constructive dialogue, not only between the Muslim world and the West (non Muslim world), but also between world-Muslims itself – to bridge differences to gain understanding between cultures. Mrs..Payments Innings, Chief Executive Officer, Mizzen Publishing House – Indonesia Morocco Aquaria Sahara is a voice of light whose piercing scream faces the dark continent of ultra blindness and patriarchal and ideological manipulation. Her feminist writings vehemently uncover the weight of the patriarchal order in an ideologically- biased Pakistani Islamic context, unveil the misuse of Islam in depriving women of their human and sexual rights and, consequently, invite a complex post-colonial and post-harem critical perspective on women's predicaments in the Arab-Islamic sphere as a whole.Ashram's feminist commitment calls for an urgent re-consideration of sexual politics and women's invo lvement in dismantling various areas of masculine animation and building up a modern and gender-democratic Muslim society. Hosannas Cirri, Professor, School of Humanities, Pakistan Aquaria Sahara is one of the most important category English fiction writer of Pakistani origin. Her fiction writing has created its own distinctive place by virtue of its quality and relevance to the contemporary issues.She has an extraordinary skill of raising some delicate and fundamental questions related to women issues in general and in particular about those women who are struggling to discover their individual identity in a polarize world. She presents some important aspects of the infiltration of values between different civilizations through her powerfully conceived characters. Though her characters and setting may represent a certain class or section but her themes overwhelmingly remain universal and humanism formulates the basic fiber of her fiction.Karma Charisma Squid, Editor (English), Paki stan Academy of Letters, Islamabad, Pakistan Turkey The works of Aquaria Sahara, Actual Caddy (The Holy Woman) and Tiffany (Typhoon), have attracted attention with their striking themes and contemporary topics in Turkey. When Ms. Sahara visited our country in 2005 for *Istanbul Book Fair, I got the hence to know her better. I saw that although writers, scientists or intellectuals from the East live in the West, they don't lose touch with their own culture.Aquaria Sahara is one of those intellectuals, who has the ability and experience to interpret the East truly. She is a writer who can deftly read the East while she lives in the West. In this respect, I can say that her novels are important examples to be analyzed academically. Since they were published in our country at a time when discussions were ongoing on the theme of the clash of civilizations, they have also been reliable ND useful sources of information for those who interpret the West differently from the East.We hope that Ms. Sahara, who deserves to be praised in terms of her literary insight, will go on writing books which will take their place among Eastern Classics books with their insightful themes. Burk Fuzzy kabuki, Chief Editor Para Publishing House, Istanbul, Turkey Aquaria Ashram's writing, which has delighted and inspired readers all over the world for the past two decades, is finally receiving the scholarly attention it deserves.This exciting new collection of articles surveys the diverse range of themes and issues treated in Ashram's work – feudalism and modernity; female sexuality, romance and divorce; religious faith and the wearing of the veil; the Pakistani homeland and its Diaspora – and pays tribute to the emotional depth and moral complexity of her gathered from across the globe -? will be of especial interest to non-Muslim readers wishing to understand more about the historical and political context of Ashram's work.Just as Aquaria Ashram's writing has touched the l ives of many thousands of general readers around the world, so will this collection most surely win her new fans within the academic community. Lynn Pearce, Professor of Literary Theory and Women's Writing, Lancaster University, I-J United States of America I was caught by the drama, the romance, the traditions, the shibboleths and the descriptions of town, village, house and home in her novels The Holy Woman and Typhoon.I could see so well the settings and characters Aquaria Sahara described so vividly. She let me into and behind the scenes so far from those in western homes but still of common human interest. I hope to read the further adventures of her protagonists! Ann Nicholson, Radio Host/Producer, Little Rock, Arkansas, USA

Types Of Light And Nutrients - 1881 Words

Question 1 Light and nutrients are two key factors that are crucial for plant growth and development. The types of light required by plants are wavelengths of light that are invisible to the human eye. This light is needed to induce certain responses critical to plant development and survival. For example, the change in levels of phytochrome red light and phytochrome far red light allow plants to begin flowering, germinate, break dormancy, or senescence. Each plant species has a different photoperiod that dictates when each of these types of responses will occur depending upon the members of hours of light the plants receive. Some plants are short-day plant, meaning that they require few hours of daylight and a greater number of hours of†¦show more content†¦Depending on the plant species requirement of certain nutrients may vary. However, the main nutrients that are needed for all plants are carbon, hydrogen, and oxygen. These nutrients are actually procured from the air instead of th e soil. Nitrogen, phosphorous, potassium, magnesium, and sulfur are nutrients that plants get from the soil and require them in large amounts, especially nitrogen. Other nutrients needed on small amounts include iron, boron, copper, manganese, molybdenum, zinc, cobalt, chlorine, and nickel. While the general understanding might be to always ensure that plants have access to adequate nutrients by supplying fertilizer, some plants like soybeans and alfalfa have nodules that work with bacteria to fix their own nitrogen. However, if enough nitrogen is always supplied to the plants they may not use this ability much as much. Therefore, allowing plants the opportunity to use their own abilities to procure nutrients can be a method of improving the efficacy of plants. Keeping these ideas in mind can also greatly enhance the plants ability to get closer to their full genetic potential. 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